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Quiller works for the Bureau, an arm of the British Secret Service so clandestinethat no-one knows itexists. before he started doing "genial" and reminds us that his previous part was in the heavyweight "Who's Afraid of Virginia Woolf". George Segal, plays the edgy American-abroad new CI5 recruit (looking unnervingly at times like a young George W Bush!) After two British agents are assassinated in Berlin by a group of Neo-Nazis, the British Secret Service assign Quiller to locate and identify the culprits. 1 jamietre 8 mo. The film's screenplay (by noted playwright Pinter) reuses to spoon feed the audience, rather requiring that they rely on their instinct and attention span to pick up the threads of the plot. His job is to locate their headquarters. This isn't your average James Bond knockoff spy thriller; the fact that the screenplay is by playwright Harold Pinter is the first clue. I probably haven't yet read enough to be fully aware of what the typical Quiller characteristics are, but never mindthe key thing is that it was a pacy, intense and thrilling read. Alec Guinness is excellent as a spy chief, and he gives a faint whiff of verisimilitude to this hopeless film. Max von Sydow as a senior post-War Nazi conspirator over-acts and is way out of control, Anderson being so hopeless and just a bystander who can have done no directing at all. True, Segal never seems to settle into the role of Quiller. This is a nom de plume for author. After all, his characters social unease and affectless personality are presumably components of the movies contra-Bond commitment. Variety wrote that "it relies on a straight narrative storyline, simple but holding, literate dialog and well-drawn characters". Fairly interesting spy movie, but doesn't make much sense under close scrutiny. A satisfyingly cynical spy thriller with George Segal, Alec Guinness and Max Von Sydow; and a script by Harold Pinter, Decent and interesting spy thriller with great cast and impressive musical score by John Barry in his usual style. Quiller is surprised to learn that no women were found. Its excellent entertainment. Another isQuillers refusal to carry a weapon hebelieves it lends the operative an over-confidence and cangive the opposition an opportunity to turn your firearm against you. Book 4 stars, narration by Simon Prebble 4 stars. It was written by Harold Pinter, but despite his talent for writing plays, he certainly had no cinematic sense whatever. I thought the ending was Quller getting one last meeting with the nice babe and sending a warning to any remaining Nazis that they are being watched. A bit too sardonic at times, I think his character wanted to be elsewhere, clashing with KGB agents instead of ferreting out neo-nazis. I can see where some might find it more exhausting than anything else, though--he does get tired :). After a pair of their agents are murdered in West Berlin, the British Secret Service for some unknown reason send in an American to investigate and find the location of a neo-Nazi group's headquarters. The mind of the spy Other viewers have said it all: it is a good movie and more interestingly it is a different kind of spy movie. George Segal's Quiller isn't intense, smart, calculating--qualities Quiller is known for--instead he comes across as a doofus by comparison, better suited to sports-writing or boxing, completely lacking in cunning. And whats more, Quillers espionage tale is free of the silly gimmicks and gadgetry that define the escapist Bond franchise. Visually, the film was rather stunning, but the magical soft focus that appears every time Inga is in the frame is silly. When their backs against the wall, its him they turn to. Write by: The brawny headmistress points Quiller in the direction of Inge (Senta Berger), who happens to be the only English-speaking teacher at the school. Quiller's assignment is to take over where Jones left off. Soon after his amorous encounter with Inge, Quiller is drugged on the street by a crafty hypodermic-wielding operative and wakes up in a seedy basement full of stern-looking Nazis in business attire. He recruits Berger to help him infiltrate the Neo-Nazis and discover their base of operations, but, once again, is thwarted. Submissions should be for the purpose of informing or initiating a discussion, not just to entertain readers. In a feint to see if Quiller will reveal more by oversight, Oktober decides to spare his life. If your idea of an exciting spy thriller involves boobs, blondes and exploding baguettes, then The Quiller Memorandum is probably not for you. The Quiller Memorandum is a 1966 British neo noir eurospy film filmed in Deluxe Color and Panavision, adapted from the 1965 spy novel The Berlin Memorandum, by Elleston Trevor under the name "Adam Hall", screenplay by Harold Pinter, directed by Michael Anderson, featuring George Segal, Alec Guinness, Max von Sydow and Senta Berger. The Phoenix group descend and take Quiller, torturing him to find out what he knows. Quiller admits to Inge that he is an "investigator" on the trail of neo-Nazis. Hes lone wolf who lives or dies by his own actions a very clean and principled approach to espionage. Michael Anderson directs a classy slice of '60s spy-dom. We never find out histrue identity or his history. They are not just sympathisers though. He also wroteacrossa number ofgenres. The book and movie made a bit of a splash in the spy craze of the mid-sixties, when James Bond and The Man From Uncle were all the rage. In this first book in the QUILLER series, undercover agent Quiller is asked to take the place of a fellow spy who has recently been murdered in Berlin, in identifying the headquarters of an underground but powerful Nazi organization, Phnix, twenty years . 2023's Most Anticipated Sequels, Prequels, and Spin-offs, Dirk Bauer
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