In 1975, film director Bryan Forbes persuaded her out of an apparent retirement from feature films to play the role of the Stepmother in her last feature film The Slipper and the Rose. She returned to Britain to live in Somerset in 2007. Privacy Policy. ]died July 15, 1990, London, Eng. Spectral in black, with her dark, dramatic looks, cold but beautiful eyes, and vividly overpainted thin lips, Lockwood was a queen among villainesses. Kate Upton and Blake Lively have certainly helped the spot stay en vogue today. She taught at her old drama school in the early 1990s and, after the death of her husband in 1994, retired to Spain. In contrast, even natural moles were looked at as "a mark of disgrace," Madeleine Marsh, author of The Compacts and Cosmetics: Beauty from Victorian Times to the Present Day, explained toBBC. A first-time star, she gave an intelligent, convincing performance as the curious girl who confronts an elderly lady (May Whitty) who seems to vanish into thin air on a train journey. Listing for: Sport Clips - Stylist - CA519. I like having familiar faces that recognize me. The Wicked Lady is a 1945 British costume drama film directed by Leslie Arliss and starring Margaret Lockwood in the title role as a nobleman's wife who becomes a highwayman for the excitement. The excitement of "walking on" in Noel Coward's mamouth spectacular, "Cavalcade", at Drury Lane in 1931 came to an abrupt conclusion when her mother removed her from the production after learning that a chorus boy had uttered a forbidden four-letter expletive in front of her. She also doesn't apply the spot in the same place. She was in the following years sequel, Heidi Grows Up, by which time she was training at the Arts Educational School in London. So much so that, in 1650, they created a bill to prevent "the vice of painting, wearing black patches, and immodest dresses of women.". She returned with relief to Britain to star in two of Carol Reed's best films, "The Stars Look Down", again with Redgrave, and "Night Train to Munich", opposite Rex Harrison. Organize, control, distribute and measure all of your digital content. It became her trade mark and the impudent ornament of her most outragous film "The Wicked Lady", again opposite Mason, in which she played the ultimate in murderous husband-stealers, Lady Skelton, who amuses herself at night with highway robbery. Believing she will die, she gives up her lover Kit (Granger) to an actress, Judy (Roc), who is mounting an outdoor production of The Tempest on a rugged Cornwall coastal spot. Her childhood was repressed and unhappy, largely due to the character of her mother, a dominant and possessive woman who was often cruelly discouraging to her shy, sensitive daughter. "Her mole is not part of any formal perfection, but it is also not an ornament," Greenblatt explained. It was one of the Gainsborough melodramas, a sequence of very popular films made during the 1940s. Allied to this is the fact that she photographs more than normally easily, and has an extraordinary insight in getting the feel of her lines, to live within them, so to speak, as long as the duration of the picture lasts. To use social login you have to agree with the storage and handling of your data by this website. Mason and Mullen are artificially aged to play the old couple. Lockwood was reunited with James Mason in A Place of One's Own (1945), playing a housekeeper possessed by the spirit of a dead girl, but the film was not a success. During the 1940s, she starred in some blockbusters, including Hungry Hills, The White Unicorn, Cardboard Cavalier, and others. A year later she married Rupert Leon, a man of whom her mother disapproved strongly, so much so that for six months Margaret Lockwood did not live with her husband and was afraid to tell her mother that the marriage had taken place. Getty Images. Please refer to the appropriate style manual or other sources if you have any questions. October 17, 1937 - 1950 (divorced, 1 child), The Slipper and the Rose: The Story of Cinderella, Karachi, British India [now Karachi, Pakistan]. "[14], Gaumont British had distribution agreements with 20th Century Fox in the US and they expressed an interest in borrowing Lockwood for some films. [9] This movie was a hit and launched Lockwood as a star. With smallpox being all but eradicated by the 19th century, the demand for mouches would eventually become nonexistent. While much of the world in Shakespeare's time was focused on "spotless beauty," the poet and playwright found imperfection to be rather stunning. This started filming in November 1939. After poisoning several husbands in "Bedelia" (1946), Lockwood became less wicked in "Hungry Hill", "Jassy", and "The White Unicorn", all opposite Dennis Price. [26] In 1946, Lockwood gained the Daily Mail National Film Awards First Prize for most popular British film actress. 2023 British Film Institute. Her short film career, finishing with the 1960 comedy No Kidding, was over by the time she was 20. For the remaining years of her life, she was a complete recluse at her home, in Kingston upon Thames, rejecting all invitations and offers of work. Here you'll find all collections you've created before. This was the inspiration for the three-season (39 episodes) Yorkshire Television series Justice, which aired from 1971 to 1974. By Brittany Brolley / Updated: Feb. 2, 2021 6:14 pm EST. She returned with relief to Britain to star in two of Carol Reeds best films, The Stars Look Down, again with Redgrave, and Night Train to Munich, opposite Rex Harrison. For Rowland, it all began with putting a dot of black Duo lash glue on her face. Below are some glamorous photos of young Margaret Lockwood from her early life and career. He hopes one day "moles and other individual qualities" will be embraced. She had the lead in a TV series The Royalty (19571958) and appeared regularly on TV anthology series. Search instead in. Lockwood then had her best chance to-date, being given the lead in Bank Holiday, directed by Carol Reed and produced by Black. A report published by theJournal of the American Academy of Dermatology(via NCBI) highlighted the "disfiguring scars" left in the disease's wake. She starred in the Royalty (19571958) television series and was a regular on TV anthology shows. As if that weren't cringe-worthy and problematic enough, the use of makeup was reserved for "prostitutes and actresses.". The sexual privation suffered by women whose men were fighting overseas contributed to Lockwood and Mason, the fiery adulterous lovers of the 1943 Gainsborough gothic classicThe Man in Grey, replacingGracie FieldsandGeorge Formbyas the countrys top box office stars that year. In 1955, she gave one of her best performances, as a blowsy ex-barmaid in "Cast a Dark Shadow", opposite Dirk Bogarde, but her box office appeal had waned and the British cinema suddenly lost interest in her. Salmon patches (sometimes known as "stork bites"), hemangioma (what some people call "strawberry marks"), and port wine stains, are some common forms of vascular birthmarks. What a time to have been alive. The first of these was Hungry Hill (1947), an expensive adaptation of the novel by Daphne du Maurier which was not the expected success at the box office. The first of these, The Man in Grey (1943), co-starring James Mason, was torrid escapist melodrama with Lockwood portraying a treacherous, opportunistic vixen, all the while exuding more sexual allure than was common for films of this period. Showing Editorial results for margaret lockwood. In 1965, she co-starred with her daughter, Julia, in a popular television series, "The Flying Swan", and surprised those who felt she had never been a very good actress by giving a superb comedy performance in the West End revival of Oscar Wilde's "An Ideal Husband". After poisoning several husbands in Bedelia (1946), Lockwood became less wicked in Hungry Hill, Jassy and The White Unicorn, all opposite Dennis Price. Stone appeared with her in her award winning 1970s television series, "Justice", in which she played a woman barrister, but after 17 years together, he left her to marry a theatre wardrobe mistress. As Lissa plays, she experiences anguish, regret, and rapture, her pain sometimes indistinguishable from orgasmic ecstasy. If a woman were to wear the appliqud beauty mark on the left side of her face, this would mean she supported the Tory political party. Her first moment on stage came at the age of 12, when she played a fairy in "A Midsummer Night's Dream" in 1928. For other people named Margaret Lockwood, see, Margaret Lockwood in Cornish Rhapsody which comes from the British War Time Film "Love Story" and starred Margaret as a lady concert pianist. Her contract with Rank was dissolved in 1950 and a film deal with Herbert Wilcox, who was married to her principal cinema rival, Anna Neagle, resulted in three disappointing flops. Margaret Lockwood moved to Dolphin Square, Pimlico, London in 1937. She was known for her stunning looks, artistry and versatility. ), British actress noted for her versatility and craftsmanship, who became Britain's most popular leading lady in the late 1940s. Vascular birthmarks, on the other hand, are formed when "extra blood vessels clump together." This naturally raises the question: Why are there two different names? Used Margie Day briefly as her stage name at the very beginning of her stage career. Margaret Lockwood, CBE, film, stage and television actress, who became Britain's leading box-office star in the 1940s, died in London on July 15 aged 73. In 1938, she gave her best performance in the movie Bank Holiday; the film launched Lockwoods career. The film inaugurated a series of hothouse melodramas that came to be known as Gainsborough Gothic and had film fans queueing outside cinemas all over Britain. A year later, she married a man of whom her mother disapproved strongly, so much so that for six months Margaret Lockwood did not live with her husband and was afraid to tell her mother that the marriage had taken place. Her RADA-trained voice was posh, of course, but not supercilious.Her gentle beauty was heightened by different degrees of melancholy in Bank Holiday (1938) and The Lady Vanishes (1938), undimmed by her playing an indolent, pouting trollop in The Stars Look Down (1939), and coarsened . A good thing about fake moles is that there's zero risk of one turning into skin cancer. She played an aging West End star attempting a comeback in The Human Jungle with Herbert Lom (1965). Lockwood never remarried, declaring: "I would never stick my head into that noose again," but she lived for many years with the actor, John Stone, whom she met when they appeared together in the 1959 stage comedy, "And Suddenly It's Spring". This was the first of her "bad girl" roles that would effectively redefine her career in the 1940s. Various polls of exhibitors consistently listed Lockwood among the most popular stars of her era: On this Wikipedia the language links are at the top of the page across from the article title. Julia Lockwood with her mother, Margaret, in 1980. She had the lead in Someday (1935), a quota quickie directed by Michael Powell and in Jury's Evidence (1936), directed by Ralph Ince. Ifyou just so happen to wake up one morning and find a brand new beauty mark staring back at you in the mirror, take note. From her mid-20s Lockwood was seen on the West End stage in Arsenic and Old Lace (Vaudeville theatre, 1966), The Servant of Two Masters (Queens theatre, 1968), Charlie Girl (Adelphi theatre, 1969), Birds on the Wing (Piccadilly theatre, 1969), alongside Bruce Forsyth making his debut as a straight actor, and The Jockey Club Stakes (Vaudeville theatre, 1970). Cindy Crawford, for example, is notorious for her iconic "blemish." Yet, even she considered having surgery to get . Julia Lockwood (Margaret Julia Leon), actor, born 23 August 1941; died 24 March 2019, Screen and stage actor who was a regular in West End productions in the 1960s, Philip French's screen legends: Margaret Lockwood, Original reporting and incisive analysis, direct from the Guardian every morning. Job specializations: Beauty/Hairdressing. Her childhood was repressed and unhappy, largely due to the character of her mother, a dominant and possessive woman who was often cruelly discouraging to their shy, sensitive daughter. Location: Fullerton, CA. Lockwood studied at the Royal Academy of Dramatic Art, Englands leading drama school, and made her film debut in Lorna Doone (1935). Margaret Lockwood moved out of 30 Highland Rd, London in 1937. Margaret scored another hit with Bedelia (1946), as a demented serial poisoner, and then played a Gypsy girl accused of murder in the Technicolor romp Jassy (1947).As her popularity waned in the 1950s she returned to occasional performances on the West End stage and appeared on television, making her greatest impact as a dedicated barrister in the ITV series Justice (1971), which ran from 1971 to 1974. A three-time winner of the Daily Mail Film Award, her iconic films 'The Lady Vanishes', 'The Man in Grey' and 'The Wicked Lady' gained her legions of fans and the nickname Queen of the Screen. Enter your account data and we will send you a link to reset your password. She had a small role in Who's Your Lady Friend? "All beauty marks are moles,"Neal Schultz, a New York City-based cosmetic and medical dermatologist and host of DermTV, explained. Julia Lockwood during filming for the BBC science fiction series Out of the Unknown in 1968. She wouldn't have been the only one to fake it, though. Shortly afterwards, in her early 30s, she gave up acting to concentrate on bringing up her four children. While its hard to imagine Carey Mulligan or Keira Knightley being asked to offer up a Romantic paean to life within a few minutes, the demand on Lockwood made sense during the live for now atmosphere of World War II and she pulled off the flow with sustainedintensity. All rights reserved. However, after being given an initial leg-up by her mother famous for the trademark beauty spot painted high on her left cheek the young Lockwood forged her own career, navigating the difficult transition from child to adult actor. A year later, she played another fairy, for 30 shillings a week, in Babes in the Wood at the Scala Theatre. During her suspension she went on a publicity tour for Rank. Margaret Lockwood, an actress who became one of the most popular figures in British films of the late 1940's, died on Sunday. The immense popularity of womens melodramas produced byGainsborough Picturesmade Lime Grove Studios (which became the companys wartime berth after production at Islington Studios was suspended) stardoms epicentre: it was the workplace ofPhyllis Calvert,Stewart Granger,Jean Kent,Margaret Lockwood,James Mason,Michael RennieandPatriciaRoc. Lockwood discusses her upbringing in a Boston area Irish family and her early . The Wicked Lady: Directed by Leslie Arliss. Even still, the trend took off and transformed intodecorative patchesormouches("flies" in French), in which faux moles made of colorful silk, taffeta, and leather were applied to the face. She was known for her stunning looks, artistry and versatility. 12, when she played a fairy in "A Midsummer Night's Dream" in 1928. Trained on the stage, Lockwood made her film debut in 1935 and distinguished herself as the ingenue lead of Hitchcock's delightful suspenser "The Lady Vanishes" (1938) and as the vain wife of Michael Redgrave in Carol Reed's fine mining-town drama "The Stars Look Down" (1939). Lockwood studied at the Royal Academy of Dramatic Art, England's leading drama school, and made her film debut in Lorna Doone (1935). Her profile rose when she appeared opposite Maurice Chevalier in The Beloved Vagabond (1936)[4]. When the author Hilton Tims, was preparing his recent biography, "Once a Wicked Lady", a stall holder from whom he was buying some flowers for her, snatched up a second bunch and said, "Give her these from me. She preferred to drink hot chocolate, buying 60 This was even more daring in its depiction of immorality, and the controversy surrounding the film did no harm at the box office. This is the ITV DVD Region 2 DVD release of the Margaret Lockwood films - The Wicked Lady from 1945 and Bank Holiday from 1938. . Speaking candidly with the magazine, Crawford did admit that she's still not sure if she'd have added a beauty mark if "designing [her] face from scratch." She began studying for the stage at an early age at the Italia Conti Academy of Theatre Arts, and made her debut in 1928, at the age of 12, at the Holborn Empire where she played a fairy in A Midsummer Night's Dream. "[50], As her popularity waned in the post war years, she returned to occasional performances on the West End stage and appeared on television; her television debut was in 1948 when she played Eliza Doolittle.[51]. Guaranteed competitive hourly wage average wage is $16-$18 an hour, plus an incentive commission and tips! Instead, she calls it her"forever moving mole" and sometimes draws it on to cover a blemish. After becoming a dance pupil at the Italia Conti school. Margaret Lockwood visits Luton on February 16, 1948 to see the town at work and is greeted at the Town Hall by the mayor, Cllr W.J. If you notice your beauty mark starting to lookasymmetrical, theborder or edges are uneven, it has variations incolor, grows indiameter, orevolves over time, you should make an appointment with your dermatologist to get it checked out. In 1965, she co-starred with her daughter, Julia, in a popular television series, The Flying Swan, and surprised those who felt she had never been a very good actress by giving a superb comedy performance in the West End revival of Oscar Wildes An Ideal Husband. Margaret Lockwood, in full Margaret Mary Lockwood, (born Sept. 15, 1916, Karachi, India [now Pak. In the 1969 television production Justice is a Woman, she played barrister Julia Stanford. Gaumont extended her contract from three to six years. I like consistency when it comes to getting my hair done. These days, Crawford realizes that her well-placed spot helps her remain recognizable and unique. Gasp! I think they're the cutest thing. As both parents were rarely around at that point, Julia spent the war years with her grandmother and a nanny. MICHAEL REDGRAVE & MARGARET LOCKWOOD Character (s): Gilbert & Iris Henderson Film 'THE LADY VANISHES' (1938) Directed By ALFRED HITCHCOCK (Allstar/GAINSBOROUGH) SHE was the Queen Of The Silver . "[22], In September 1943 Variety estimated her salary at being US$24,000 per picture (equivalent to $305,000 in 2021).[23]. The title of The Lady Vanishes is thought to refer to the kidnapped British spy Miss Froy (May Whitty), but it is the prim lady in Lockwoods Iris Henderson that vanishes under the influence ofMichael Redgraves charming musicologist with his battery of phallic symbols. Barbara insouciantly dons the costume and pistols of a villainous male archetype associated with sexual conquests: the assumption of a highwaymans costume connotes both womens assumption of dangerous jobs formerly done by men and their liberation as sexually independent beings, both products of the war. [13] According to Filmink Lockwood's "speciality [now] was playing a bright young thing who got up to mischief, usually by accident rather than design, and she often got to drive the action. [29] She refused to appear in Roses for Her Pillow (which became Once Upon a Dream) and was put on suspension. Anentire faux mole industry was born and a street in Venice, Calle de le Moschete, was named in its honor. From the books you read to the clothes you wear, there are plenty of ways to make a political statement. One of Britain's most popular film stars of the 1930s and 1940s, her film appearances included The Lady Vanishes (1938), Night Train to Munich (1940), The Man in Grey (1943), and The Wicked Lady (1945). Margaret Lockwood, the daughter of an English administrator of an Indian railway company, by his Scottish third wife, was born in Karachi, where she lived for the first three and a half years of her life. The actor Julia Lockwood, who has died of pneumonia aged 77, began life in the shadow of her famous mother, Margaret Lockwood, who was confirmed as one of Britain's biggest box-office stars. Under Queen Victoria's reign,beauty standards left little room for anything but smooth, white skin. The following year, she appeared at the Scala Theatre in the pantomime in the drama The Babes in the Wood. "[46], The association began well with Trent's Last Case (1952) with Michael Wilding and Orson Welles which was popular. clerk, was educated in London and studied to be an actress at the "[48], Lockwood returned to the stage in Spider's Web (1954) by Agatha Christie, expressly written for her. In 1933, she enrolled at the Royal Academy of Dramatic Art, where she was seen in Leontine Sagan's production of "Hannele" by a leading London agent, Herbert de Leon, who at once signed her as a client and arranged a screen test which impressed the director, Basil Dean, into giving her the second lead in his film, "Lorna Doone" when Dorothy Hyson fell ill. The Leons separated soon after her birth and were divorced in 1950. It is not too much to expect that, in Margaret Lockwood, the British picture industry has a possibility of developing a star of hitherto un-anticipated possibilities. After what she regarded as her mothers painful betrayal at the custody hearing, the two women never met again, and when a friend complimented Mrs Lockwood on her daughters performance in The Wicked Lady, she snapped: That wasnt acting. Lockwood called it "one of the films I have enjoyed most in all my career. Instead, she played the role of Jenny Sunley, the self-centred, frivolous wife of Michael Redgrave's character in The Stars Look Down for Carol Reed. If so, please share it with your friends and family to help spread the word. We celebrate one of the Britains biggest film stars of the 1940s. Long live the mouches! Madeleine Marshtold BBC that it wasn't untilHollywood came to be that moles transformed from something to be abhorred to something to be admired. The film was the most popular movie at the British box office in 1946. sachets at a time and calling it "my tipple". For the remaining years of her life, she was a complete recluse at her home in Kingston upon Thames, rejecting all invitations and offers of work. [34] then went off suspension when she made a comedy for Corfield and Huth, Look Before You Love (1948). "[14], She was offered the role of Bianca in The Magic Bow but disliked the part and turned it down. Her other small-screen roles included the bargees daughter Julia Dean in the sitcom Dont Tell Father (1959), Martha Barlow in the suspense serial The Six Proud Walkers (1962), the marriage-breaking secretary Anthea Keane in the magazine soap Compact during 1963, and Samantha in the TV sitcom version of Birds on the Wing (1971), alongside Richard Briers, with whom she starred in the radio comedy Brothers in Law (1971-72). A visit to Hollywood to appear with Shirley Temple in Susannah of the Mounties and with Douglas Fairbanks, Jnr, in Rulers of the Sea was not at all to her liking. It's hard to even imagine Crawford without it. She had a bit part in the Drury Lane production of "Cavalcade" in 1932, before completing her training at the Royal Academy of Dramatic Art.Her film career began in 1934 with Lorna Doone (1934) and she was already a seasoned performer when Alfred Hitchcock cast her in his thriller, The Lady Vanishes (1938), opposite relative newcomer Michael Redgrave. "I like moles. "Since 1945 I had been sick of it there had been little or no improvement to me in the films I was being offered. That's not to say all faux beauty marks went out of style. And even if that new mole is fine today, that doesn't mean it will be tomorrow. If you've ever heard of a beauty mark being labeled a birthmark, that's not exactly fake news. Karen Hearn, an honorary professor of English at University College London, told BBC, "He found them worrying." Lockwood wanted to play the part of Clarissa, but producer Edward Black cast her as the villainous Hesther. When she was eight Julia fell in love with Peter Pan on seeing her mother play the role in what had already established itself as an annual postwar institution at the Scala theatre in London. [44], In 1952, Lockwood signed a two picture a year contract with Herbert Wilcox at $112,000 a year, making her the best paid actress in British films. The Truth About Beauty Marks. Rank was to put her in an adaptation of Ann Veronica by H. G. Wells but the film was postponed. Seventy years ago, the British film industrys comparatively modest version of the Hollywood studio system meant that the national cinema had not, like MGM alone, more stars than there are in heaven, but enough to make up a small glittering constellation. Her likeable core personality made her characters, whether good or evil, easy for women to identify with. She added, "But he obviously also found them sexy. Karachi-born Margaret Lockwood, daughter of a British colonial railway "[39], She returned to film-making after an 18-month absence to star in Highly Dangerous (1950), a comic thriller in the vein of Lady Vanishes written expressly for her by Eric Ambler and directed by Roy Ward Baker. As such, the shape, color, and even texture can vary. In the 1960s and 70s she appeared on British television, including a 1965 series The Flying Swan with her daughter Julia. Her beauty spot, added during filming of A Place of One's Own (1945) in 1945 Trivia (28) Mother of actress Julia Lockwood. Directed by: Leslie Arliss. Collect, curate and comment on your files. The film was a critical and box-office disappointment. [1] In June 1934 she played Myrtle in House on Fire at the Queen's Theatre, and on 22 August 1934 appeared as Margaret Hamilton in Gertrude Jenning's play Family Affairs when it premiered at the Ambassadors Theatre; Helene Ferber in Repayment at the Arts Theatre in January 1936; Trixie Drew in Henry Bernard's play Miss Smith at the Duke of York's Theatre in July 1936; and back at the Queen's in July 1937 as Ann Harlow in Ann's Lapse. Margaret Lockwood lived at 34 Upper Park Rd, Kingston upon Thames KT2 5LD between 1960 and 1990. As you now know, the 18th century was thetime for magnificent moles. Racked explained how women first started applying mouse fur yes, mouse fur to their pockmarks. [5][6][7] This was at 4,000 a year.[8]. Required fields are marked *. As an only child herself, she had once said: I love children. Registered charity 287780, Watch Margaret Lockwood films on BFI Player, In praise of 1940s icon and Lady Vanishes star Margaret Lockwood. Margaret Lockwood died of cirrhosis of the liver in Kensington, London on 15th July, 1990, aged 73. Her gentle beauty was heightened by different degrees of melancholy inBank Holiday(1938) andThe Lady Vanishes(1938), undimmed by her playing an indolent, pouting trollop inThe Stars Look Down(1939), and coarsened by the twisted thoughts of her Regency-era social climber Hesther in The Man in Grey (1943), her highwaywoman Barbara Worth inThe Wicked Lady(1945), her psychopathic title characterinBedelia(1946). Named her after Gaio Giulio Cesare to commemorate her birth by Caesarian operation. Margaret Lockwood , the British film star and actress, seen outside Buckingham Palace with three American Servicemen who are ardent fans of Britain's. English actress Margaret Lockwood , circa 1935. Edwards, before she visits Skefko, Vauxhall and Electrolux and two cinemas - the Odeon in Dunstable Road and the Palace in Mill Street, whose manager, Mr S. Davey, had arranged the tour. Let us know if you have suggestions to improve this article (requires login). Gilbert later said "It was reasonably successful, but, by then, Margaret had been in several really bad films and her name on a picture was rather counter-productive. Though, we doubt they'd be the only ones perplexed by the idea. The film inaugurated a series of hothouse melodramas that came to be known as Gainsborough Gothic and had film fans queuing outside cinemas all over Britain. Even though British Parliament wanted to put an end to the faux mole craze, some members eventually came around. That year, she was created CBE, but her appearance at her investiture at Buckingham Palace accompanied by her three grandchildren was her last public appearance. [40][41] It was not popular. She also had another half-brother, John, from her father's first marriage, brought up by his mother in Britain. With the drama picture Bank Holiday, she created a reputation for herself. These were standard ingnue roles. She called it My first really big Picture. But as the film progressed I found myself working with Carol Reed and Michael Redgrave again and gradually I was fascinated to see what I could put into the part. The sadomasochistic elements ofLeslie Arlisss film in which Lockwoods character is sexually commandeered and eventually raped by Masons lord were 50 shades stronger than 2015s most ballyhooed eroticdrama. Stone appeared with her in her award winning 1970s television series, Justice, in which she played a woman barrister, but after 17 years together, he left her to marry a theatre wardrobe mistress. In 1938, Lockwood's role as a young London nurse in Carol Reed's film, "Bank Holiday", established her as a star, and the enormous success of her next film, "The Lady Vanishes", opposite Michael Redgrave, gave her international status. Grow your brand authentically by sharing brand content with the internets creators.

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